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The Book of Eli: Baddest-Ass Movie of the Year?
This year in cinema really started off with a bang! The Rock is a Tooth Fairy, Jackie Chan is a super-spy who can’t make fucking breakfast for a child, and Denzel Washington is bringing the pain!
Without giving too much of the film away, let’s dive in to a synopsis, shall we? In the Hughes Brothers’ first film since 2001′s From Hell, Denzel Washington plays Eli (it’s true), a lone wanderer in post-apocalyptic America (or AmeriKKKa, as it has become–since everybody but Eli seems to be white). He is a take-no-bullshit traveler with a clear destination and mission that he believes was given to him by God. His mission: to transport what is possibly the last remaining Bible to a safe haven out West.

Try being a wanderer in the Apocalypse...it's really no fun.
Gary Oldman’s character, the leader of a small post-apocalyptic town full of Raiders, drunks, and whores (obviously), is eager to get his hands on a copy of the Bible because, historically, whomever is in control of religion has unlimited power over the weak, poor, and desperate.
Mila Kunis plays a frumpy young waitress (who later turns out to be sexy…surprise!) in the town who every male but Eli seems to want to rape…and while I was apprehensive about her acting (in anything), she carried her role pretty well…and didn’t get raped.
Eli’s spiritual quest brings a lot of religious talk into the film, but it is never overwhelming. The religious overtones are well divided into different characters, leading to some mixed reviews.
Some viewed this movie as a spiritual journey of a kick-ass machete-wielding Denzel Washington, while others found that the film was decidedly anti-Christian. Interesting, right?
Washington’s character is on a mission from God, but he’s not supernatural, he is a man of conviction. Nearly every single person in this dystopia is uneducated, illiterate, and naïve–hence Gary Oldman’s wish to use religion to take advantage of them all.
It is briefly explained that a great war was fought–and that many blamed religion for it–go figure. After the war, holy books were burned and faith was abandoned and thought to be damaging to society–go figure.
30 years later, there are few left who have any knowledge of all that “god bullshit.”

Chicks with guns + Denzel Washington= OMGZ!
There have been a dickload of apocalypse movies, but–despite its mediocre reviews–I would contend that The Book of Eli is among the best I’ve seen–I was pleasantly surprised. There is plenty of bloody violence to keep the idiots amused, but there is a lot more going on here. Many argue that the film’s execution lacked the substance of its message–but fuck those people.
This movie has all of the staples of the genre: raiders, cannibals, bartering, bad-asses, pimped-out car-tanks, survival, and then it peppers in some Denzel.
I’ll put it in perspective–if you like your apocalyptic fiction like The Road and your pretentiousness knows no shallow depth, you may not like The Book of Eli.

However, if you like your apocalyptic fiction like you enjoy playing Fallout 3 for hours and hours, you’ll have a great time with this film. It’s not for everyone, and some of the action is a little cliché, but it’s better than seeing fucking Avatar for the 10th fucking time.
Oh, and a word of warning: This movie stars Denzel motherfucking Washington. Get to the theater fashionably late and don’t sit in front of the row of middle-aged black women…
You can cry “racism” all you want…but you’ll thank me some day.
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From Brit to Black: Death at a Funeral
Way back in 2007, I saw a Frank Oz film called Death at a Funeral, so imagine my surprise when I discovered a trailer for a new Neil LaBute film called Death at a Funeral. Should the “too soon” rule usually applied to tragic events also be applicable for remakes?
The original Death at a Funeral was a predominantly British comedy with a few American actors scattered in—but it was one thing that the new Death at a Funeral is not: a white movie.
Before watching the trailer, I actually expected this new Chris Rock vehicle to be a black comedy that just happened to have the same name. It wasn’t long before I discovered that not only is it an almost word-for-word remake, but they even used the same dwarf actor!
There are not many little people in Hollywood who can pull off a serious role while being a noticeably distracting as a dwarf. Verne Troyer, for example, will always be a fucking joke.
This film’s two-time dwarf actor (or maybe he’s a midget) is Peter Dinklage—he’s even got a funny little name to match.
While it is unquestionably shitty to remake a film within 3 years, it is—in this case—somewhat understandable. First, they are targeting the film toward a different (and probably much broader) audience. Second, it looks like a pretty funny movie. And third, nobody saw the original.

This movie is going to make so much money, Frank Oz will shit anger.
If I hadn’t seen the first version, I may be tempted to check out this new endeavor. Okay, that’s probably not true, but I may get it on Netflix when it comes out on DVD.
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