Tag Archives: 5

Best and Worst Music Videos of 2011

Hey, boys and girls! I’ve been reviewing music all year–songs and artists that I’ve really enjoyed, and those I found horrifying. I try not to be genre-specific, but it does become a strain on my ability to effectively deliver my honest opinion. Having said that, I can (and regularly do) appreciate lots of different styles of music, which you’ll see here. Some of these may not surprise you if you’ve frequented this site to read our rants and reviews, or if you’re friends with me on Facebook. Leave your comments below if you agree or disagree. I’m sure we’ll come to a polite consensus. I should also mention that these are purely looking at the video itself. Someone might have had a great song, but the video was just satisfactory. So, if we’re all on board this fucking gravy-train, let’s start off with the BEST 5 Videos I’ve seen this year:

5. Lil Wayne–How To Love

There’s a lot going on in this video, and I get that “this isn’t my life, but holy shit” moment that I always got from 2Pac’s more emotional songs. I’ve had conversations with hip hop enthusiasts who hate Lil Wayne, and others who couldn’t live without him. It could just be the heart-tugging elements of the video itself…but it’s songs like this, that cement Weezy’s relevance and diversity, IMO.

4. Tyler the Creator–Yonkers

Vulgar, offensive (to some), and with such multi-leveled introspection, I feel like I’ve been Incepted, I can never be mad at Odd Future. They gave me some of the best music (most of it for free) and one of the best concerts of the year. They’ve irritated many, arguably growing too immense for their own good, as they now walk around so high-and-mighty with their heads in the clouds that they look like collectible Bobble-Head versions of young black hipsters. They’ve inserted themselves into every possible media niche, and it all started here, when Tyler hit the mainstream. It might be nonsensical, silly, horrific batshit, but I hope it never ends.

3. Garfunkel and Oates–This Party Took a Turn for the Douche

Been in love with Garfunkel and Oates for a while, but Kate Micucci and Riki Lindhome definitely have everything going in this video. With guest appearances by Sarah Silverman, Tig Notaro and Alia Shawkat, and references to everything from Tim Taylor to Jeff Goldblum, I can’t get enough of this video and wind up showing it to everyone whether they like it or not. Fuck you.

2. Manchester Orchestra–Simple Math

This video doubles as one of my favorite videos and songs of the year. There’s so much happening in this tribute to, what I can only assume is, the moments that flash before you when you’re a fat kid. This video became so engrained in my mind with this song that I can hardly listen to it anymore without feeling that sense of drifting in and out of reality; and that sounds totally gayballs, but it’s true.

1. Beastie Boys–Make Some Noise

I would be amazed if this video isn’t near first place on every “Best of” list of the past year. Not only is it a celebrity-packed, epic and bad-ass homage to the aging band, but the song is phenomenal and proves that the boys from Brooklyn are still relevant. Their style, while subtly evolving and incorporating new vision, remains–at its core–identical to the old school. Mike D, MCA, and Ad-Rock are re-energized as portrayed by Seth Rogen, Elijah Wood, and Danny McBride.

And now we have to move on, I’m afraid, to the Worst of 2011…the videos that made me hate myself, the music industry, and you. But they also made me feel so much better about listening to everything for free, courtesy of the Internets.

5. Rebecca Black–Friday

I know, I know. It’s easy and it’s on every list, but it’s unavoidable. There’s no way, being a pop culture website, we could just ignore this bullshit. This took the world by storm and it’s probably the reason YouTube still exists. As horrible as this song and video are, I can’t be mad at Rebecca Black. She doesn’t know any better…which is why, I couldn’t just crash her attempt, landing it safely in the Hudson Bay of 5th place. Also, I love the completely unpredictable and insanely meaningless rap at end. This has undoubtedly made Black more money and given her more opportunities in life that anyone in her family has ever had, so…she’ll inevitably fade into obscurity when something more painful to listen to over and over and over again emerges in 2012.

4. Kreayshawn–Gucci Gucci

Some of you may find it odd that in the “Best of” section, I swooned over Odd Future, only to post a video in the “Worst of,” featuring several members of the band making guest appearances…and to that, I say: well observed! Anyone who likes this video must get themselves a CAT scan. I tried to like Kreayshawn, after her interview with Nardwuar and educating myself to her punk-rock upbringing, I thought to myself: Hey, self, this isn’t going to be awful! And immediately after, I thought: Self, why are you listening to me in the first place?

3. Skrillex–Ruffneck

As much as I can’t abide Skrillex and think all of his “songs” sound identical, this video really had me questioning whether he should be on the cover of SPIN, or that anyone should know his name (stage name). I actually liked his video for “First of the Year (Equinox),” even though the tune itself was just as shrill and irritating as this one, thus keeping it off my top 5…but this video is simply awful, and the Christmas gimmick pushed it over the edge to just being painful to watch (and listen to!).

2. Lady Gaga–Marry The Night

I’m sorry. I don’t get Lady Gaga, and I probably never will. Nothing she says or does ever seems honest or original. Her fans praise her for her weird personality, original style, and overall “fuck everybody” attitude. In reality, she just represents a new generation of club kids who dig this because they’re too fucked to realize how obnoxious it all is. Marry the Night, like all of Gaga’s videos, is far too long–and it would be entertaining if it weren’t so flat and boring. You know how people have that ongoing argument about art? Someone will say, “This isn’t art, this is just slapped together and stupid.” And then someone else will retort, “Who are you to say what art is? Maybe everything we do is a form of artistic expression!” Yeah? Well, this isn’t art.

1. Shira–Pound on my Muffin

This spot was supposed to be reserved for the lovely Courtney Stodden, who graced us with some of the worst vomit-inducing musical macabre we’ve ever heard. But, alas, her videos were all 2010 timestamped, so I had to think on my feet. This is the best/worst thing I found. Hitting it kind of close, as this just hit the internets on Christmas (of all days), but I think I found my swan song of 2011. The lyrics are so atrocious that I can’t help but think it’s a joke…but if it is, it’s not funny. Not only does Shira’s scarred and weathered appearance indicate she’s had more than her muffin pounded over the years, she has the sad, desperate demeanor of a stripper, or that girl from the neighborhood who always wanted to be a stripper, and then mysteriously disappeared. My absolute favorite part of this video has to be the faces on all of the men who make appearances, pretending to seem interested, and instead looking confused or horrified. Time will tell if this piece of shit gains any media attention. But at 60,000+ hits, it’s starting to look like a bright year for Shira!

That’s All Folks! Welcome 2012!

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Re5: A Wonderfully Un-Racist Romp Through Scarytown, Africa

AlexThe Resident Evil series has always served to baffle, befiddle and befaddle me; certainly not as much as the Metal Gear series, but enough to cause concern for the future. I don’t think I’ve ever successfully completed a Resident Evil game in the entire series. At the risk of being “gamer’d” to death, the excuse I’ll give for this is that I didn’t give the games enough of a chance and I gave up on them easily. It’s not that I particularly found them boring…more that I just lost interest in favor of other games that more suited my tastes at the time.

Regardless, my tastes have changed and survival horror has come back into my life with flying colors (or pitch black-darkness, whichever). Violent video games seem to be the lifeblood (pun intended) of the industry. The video game audience of yesteryear has grown up and grown weary of the Sonic and Super Mario Bros. franchises. That’s not to say that we aren’t thrilled by new and interesting additions to the series. Super Mario Galaxy was awesome. Super Paper Mario, anyone? Sonic hasn’t had as much luck. But there’s only so much time we can suspend our disbelief while Sonic the Hedgehog takes us all on another pointless adventure with his growing cacophony of slapdash, meaningless friends.

Back on topic, the reason I’ve been rather distant from the Resident Evil series as a whole is because there are so many and I felt that (in my brief separation from the series) I may be lost and not able to pick up on the story. Also, I’ve only played Resident Evil 1, 2, 3: Nemesis, 4, and 5. It seems like a logical progression, but I can’t help but feel that there was a lot that I missed out on. Need I mention that Resident Evil always scared the piss out of me?

Which brings me to my next topic…Many critics of Resident Evil 5 claim that it isn’t scary. Penny Arcade argues that even though 5 doesn’t go with traditional “pop-out-and-scream” Pavlovian horror, it remains constantly thrilling…especially with periodic battles with things that won’t fucking die and when your ammo is depleted and you’re facing such a beast.

Yet another (unfounded) concern is that the game may be considered racist, or could possibly be some kind of tool for White Supremacists to act out their blood-thirsty rampage on behalf of the master race (SPOILER ALERT: The game ends on Valhalla). The racist accusation comes from the concept that the story takes place in Africa where a parasitic plague has infected most of the population, turning them into anger-driven zombies with worms. The main character is a white man named Chris Redfield (who you may remember from the series) and his African partner, Sheva.

First of all, not all of the enemies are black. Second, the main villains are white as the morning snow. And third, the object of the game is not to murder all of the African population (although it seems like it at times). The point of the game is to rescue these people and to end the horrible plague that the evil-doers have infected them with. If anything, it’s about destroying the racists who consider Africa (and Latin America in Resident Evil 4) to be worthless and the perfect place to test their deadly plan. So, suck it, you politically correct alarmists.

The only Resident Evil games I’ve completed aside from this one were Resident Evil: Umbrella Chronicles and Resident Evil 4 on Wii…a delightful experience if you haven’t tried it. Resident Evil 5, the first in the series on a “next-gen” console, is stunning, fun, intense, and important. Not only does it show how far graphics have come, but how much the gaming experience has evolved. I could raise issue with some of the controls, but I won’t, because (honestly) I don’t care and it didn’t effect the experience for me at all.

The numerous unlockables make the game worth playing again and again. To close, I’ll mention the part of the game that blasted with arms flailing through my expectations. We all know that forced co-op games often have their flaws…take Army of Two for example…virtually unplayable without a live partner (aka: Friend).

Resident Evil 5 sticks Player One with a partner who is rarely a hindrance. Sheva is helpful, courteous, and knows how to take out the bosses when your dumb ass can’t figure it the fuck out. The only times I’ve had a problem with my partner was when she was using a Handgun in a firefight when she had full ammo on her Shotgun, Machine Gun, and Rifle, leaving me to do the hard work. Cunt…

But seriously, I loved Sheva; and as Chris Redfield, I actually wanted to take care of her. Not only because if she died, I’d have to start over, but also because she was a genuinely likable character who is never annoying or obstructive.

If you have ever been a Resident Evil fan, you’ve probably already heard of/played the demo of the game. If you’re an intelligent fan of the games and you like amazing games, you’ll already own it.

alex G.

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